Toho cracks open its vault for the first time, teams with 'Train to Busan' writer Yeon Sang-ho and the Oscar-winning VFX crew ...

The surprisingly efficient DaVinci Resolve, Fusion and Unreal Engine pipeline.

"Young Washington" director Jon Erwin explains how the film used AI and walks through the making of certain scenes.

I went through every craft in post-production, from VFX and de-ageing to voice, dubbing and the cutting room, checking the AI ...

Corporate video has changed. Not in a “new era” way, more in a quietly unavoidable way. London companies now publish video ...

During IndieWire's Craft Roundtables, Paterson broke down the multiple approaches required to meet the needs of such a massive show. Working in visual effects means that you have to be prepared for ...

Pixar remains an "artist-driven studio," said the movie's VFX Supervisor Thomas Jordan at SXSW London. AI doesn't yet produce anything that meets its standards, he added.

Daryl Sawchuk broke down his unique collaborative process with director Andy Muschietti during IndieWire's Craft Roundtables. No two film or TV shoots are alike, as each director and team of ...

The horror in Backrooms stems from the familiar-yet-wrong feeling that its yellowed carpet and wallpaper evoke, and because ...

The effects house used pioneering tech, including custom Apple Vision Pro app, to bring Jon Favreau's Star Wars series to the big screen. But since Favreau and team filmed for Imax, that meant more ...

You think it's tough being the Punisher? Try being a Hollywood special effects artist. In the shot in question, the Punisher falls and crashes into some kind of big metal box — maybe an air ...