Between the late 1970s and the early 1980s, Barbara Kruger, working as a graphic designer for popular magazines, gained recognition in the art world for photo-based images overlaid with blocks of text ...
GLENN LOWRY: By the 1970s, performance art had achieved a level of notoriety and even acceptance. However, because many artists used their bodies aggressively in their performances, it was often ...
MoMA is committed to making its collection and programming accessible to all audiences. Staff and educator training is an essential aspect of this goal. Disability equity is a fundamental principle at ...
Photography at MoMA: 1840–1920 Edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, and Sarah Hermanson Meister, 2017 Hardcover, 376 pages The Original Copy: Photography of Sculpture, 1839 to Today ...
Volkswagen of America is proud to be MoMA’s lead partner of learning and engagement. Generous support for School and Teacher Programs is provided by the Carroll and Milton Petrie Education Program ...
Discover Ruth Asawa, one of the most innovative artists of the 20th century, and the enduring legacy of her radical and unflagging experiments with material and form. We visit Asawa’s San Francisco ...
The Learning Tree. 1969. Gordon Parks I saw this film when I was 18 years old, and Gordon Parks was at that time one of my heroes. So to see a film about his childhood in Kansas was so riveting and ...
Hear from artists, writers, and therapists about what happens when art and grief collide.
In March, Neri Oxman: Material Ecology opened at MoMA. The installation is organized around seven projects, each represented by several artifacts, prototypes, and videos displaying the process. Each ...
Wright not only welcomed this hypothetical migration, he sought to design it. At the 1935 National Alliance of Arts and Industry Exposition at Rockefeller Center, he unveiled a massive, ...
Part 1. Searching for Iemanjá: On the Move If you’re looking for Iemanjá in Salvador, Brazil, you’ll find traces of Her wherever you go. In the touristy Pelourinho neighborhood, Her smiling face ...
Elizabeth Catlett ’s terra cotta sculpture Mother and Child stands less than a foot off of its pedestal, but it feels much larger. It conveys an expansiveness that comes, to my mind, from the uncanny ...
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